Free waveforms software for mac

Requirements: Mac OS X 10.4 or later.

Monowave II is a great example of the kind of thing that only the Chameleon can bring about.
You take one open DSP platform, a load of well written source code and help files, one analog/digital hardware designer and early Chameleon enthusiast, throw in a load of sleepless nights and you get a growing open-source DSP project that anyone can add to.
Monowave is a fat and dirty monosynth based upon the simple synth example code bundled free with the Chameleon Software Development Kit.

Main features:
- 3 Oscillators, each with 256 waveforms and a unique de-res function for lo-fi sound
- 5 input mixer, three oscillators, noise and external input for filtering
- 4 pole 24dB resonating filter with the unique option to sweep between 4 pole, bandpass and 1 pole modes seamlessly
- 3 assignable Realtime Controllers with show function to remind you what it is assigned to
- Comprehensive MIDI CC control for internal parameters
- 128 Patch memory
- Stereo delay line
- 2 LFOs with 64 classic and complex waveforms
- 3 ADSR envelope generators
- Unique routing modulation capabilities such as velocity to osc waveform, or EG to Resonance, for highly expressive sounds

AkBrowser can read samples from Yamaha A-series Sample Disks and convert sample waveform data into AIFF files.
Samples can be auditioned by simply double-clicking the file in the browser.

AkBrowser can display the sample disks files and folders in both a list and column view similar to the Mac OS X Finder. Also, multiple samples can be selected and converted to AIFF files.

Infiltrator is a creative sound-shaping tool for use in the studio and on stage, essentially based around two banks of powerful filters. It was principally designed as a powerful vocoder, but has evolved into something much more and is capable of working as a wide range of filtering FX and tools.

The principal purpose of Infiltrator is for vocoding using channel filter banks, as in the classical analogue vocoders. The Vocoder Mode allows the emulation of nearly every kind of classic vocoder architecture, as well as the creation of brand new vocoder sounds.
In addition to the traditional Synthesis and Analysis filter banks, there is a silence/voiced/unvoiced detector, a noise generator and a built-in synthesizer with twin oscillators for creating carrier signals and waveforms internally. There is also a delay FX available on the inputs and outputs for all sorts of echo-based treatments.

Main features:
- Highly detailed control with physical units - e.g. 0.00001 seconds
- Two 24 channel filterbanks with up to 2/4/6/8 pole, with 11 filter types, including Peaking /shelving EQs, bandpass, notch, LP, HP and more
- Re-configurable architecture to create filter channels, EQs, multiband compressors, vocoders
- Multiple compressors/expanders/gates with lookahead
- Sophisticated silence/voiced/unvoiced detector
- Built-in MIDI monphonic synthesiser with twin oscillators and noise generator
- Ring modulation and FM synthesis features
- 8 sets of 3 assignable real time controllers for instant control
- Realtime control of all filterbanks for unheard-of Vocoding FX
- 3 LFOs for controlling the realtime controls to create fantastic automatic manipulation settings
- Quick/full edit modes - different editing levels for speed and simplicity or deep control
- Extensive metering and monitoring of internal signals
- Internal storage of 99 user programs, with over 55 factory setups.
- Dynamic allocation of DSP resources, allowing different configurations to utilize the hardware fully
- Delay FX on the inputs, outputs, or internally in multiband mode for highly unusual frequency dependent delay FX
- Very extensive 150-page manual for getting inside the highly detailed soundskin
- Various minor user interface and internal improvements
- Delay line maximum times extended to 5 seconds
- Added dedicated delay line time parameter smooting: page "Delays:Setup, smoothig: off,1..15"
- Added Real Time Controller (RTC) target parameters, amongst them are Multiband filter x-over lo/hi frequencies
- Improved Multiband filters
- Added Linkwitz Reilly filters in Multiband mode: page "Setup:Common, MB slope: 12db,24dB" 12dB = Butterworth, 24dB = Linkwitz Reilly
- Added noise input in Multiband mode: page "Input:Left/Right, noise: NdB"

FMOD is a cross platform audio library that supports a wide range of audio formats and playback options, including a physically correct 3D audio engine. FMOD Wrappers offers you classes and modules that implement a subset of FMODs functionality via familiar REALbasic style interfaces.

This project was initially conceived to overcome the lack of waveform sample memory sharing in REALbasics built-in Sound class. REALbasic 5.5 introduced the Sound.Clone method, which addressed that limitation to some extent, but the Sound class is still far behind in terms of functionality when compared to FMODs features.

Unlike the built-in Sound class, the FMOD Wrapper classes separate the playback mechanism (FMODsound Class) from the sound sample data (FMODsample Class). This allows any FMODsound object to play back and manipulate any FMODsample, regardless if it is already being used by another FMODsound instance. Think of FMODsample as the actual "noise", and FMODsound as a "speaker" that can playback and manipulate any noise passed to it.

Other than that fundamental difference, the FMOD Wrapper classes function in a very similar manner to the built-in Sound class, but also take advantage of some of FMODs more advanced features. The FMODmusic and FMODstream classes by their very nature do not make a distinction between the sample and playback mechanism, and work essentially the same as the built-in Sound class.