Free variation software for mac

iAdjust Audio 1.1 is a really convenient tool which allows you to adjust the main volume in smaller increments than the standard 16 moves via the keyboard. Because of variations in operating systems, these scripts will give you between 44 and 48 increments.

Leopard and Snow Leopard users can hold down the Option and Shift keys while pressing either volume key to get very small increments (64). I find this awkward as it requires both hands. Of course, if you're satisfied with using the keyboard or moving a slider, there is no reason for you to download these two scripts.

iCan is is a trashcan for OS X which sits on the desktop. Its interactive - it appears empty when its empty, and full when its full, just like the one in OS 9.

You can drag to it, unmount disks with it, click it to open the trash folder, and it responds to the Finders command-delete.

If you like variation, you can switch to another trashcan, iCan is customizable using any of the included iCan Themes. If you wish to make your own themes, its easy, and instructions are provided.

Spin Around is a variation of the classical align three coloured balls. You have a board of 9 rows x 9 columns, filled with random coloured balls. There are 7 different colors in total. Slide any row of the board left or right trying to align them, or if youre stuck, try to rotate it! With this simple but powerful innovation, new gameplay possibilities open up to you! Three different gameplay modes: Time Attack, Top Score and Puzzle!
Main features:
- Online Scoring
- Three different game modes
- Great Graphics
- User Friendly interface.
Version restrictions:
- You can play the demo version for up to 10 times.

Particula Numerica in shortly Particula is an Gravitational N-Body Simulator. The software give you REAL-TIME three dimensional images for gravitationally interacting bodies, which are thought to be stars. REAL-TIME isnt meant real stellar time but you can see the MOTION of stars. The time indicated in the software is normalized time.

Particula can simulate the gravitational interaction of many bodies with certain initial conditions. You may set a simple homo-temperature spherical distribution model as an initial condition. The temperature and the number of the particles are able to be set. You can also use NEMO ASCII files as an initial data.

Particula provide you both two and three dimensional view. It shows you the overall 3D view of the particles. In 2D view you can see a trajectory of a certain particle and the temporal variation of potential energies (Kinetic/red and Potential/blue).

To update the 2D view you should click mouse with Ctrl key or the right mouse button. To change the line of sight in 3D view, just drag to rotate and shift-drag to zoom in/out.

Game Glutton is a vast collection of games you can play with your friends online or against the computer. It has many classic games you will be familiar with (some with new features and variations), as well as several games you probably havent seen before.
Glutton features over 20 games and 200 different boards to play on.
Main features:
- Over 20 games and 200 different boards to play on
- Networking for two or more people (via YimineeWorld netgame server)
- Many games side-by-side
- Many variations on game play
- Play against the AI at various levels
- Built-in board editor (hold option down when you launch)
- Detailed help
- Cleans your room and does your laundry.

A waveform editing application. Oscillates at any desired frequency
and for any duration. Make waveforms by using some built-in shapes, editing with drawing tools, and adding other waveforms together.

Outputs to speakers or audio files (such as WAVE).

Additonal features include the ability to combine multiple wave tabs (add/multiply), insert typical waves (sine, square, etc.), make pitch variations, and make duration variations.

So what is The Levelator? Its software that runs on Windows or OS X (universal binary) that adjusts the audio levels within your podcast or other audio file for variations from one speaker to the next, for example.

Its not a compressor, normalizer or limiter although it contains all three. Its much more than those tools, and its much simpler to use.

The UI is dirt-simple: Drag-and-drop any WAV or AIFF file onto The Levelers application window, and a few moments later youll find a new version which just sounds better.

Have you ever recorded an interview in which you and your guest ended up at different volumes? How about a panel discussion where some people were close to microphones and others were not?

These are the problems the post-production engineers of Team ITC solve every day, and it used to sometimes take them hours of painstaking work with expensive and complex tools like SoundTrack Pro, Audacity, Sound Forge or Audition to solve them. Now it takes mere seconds. Seriously. The Levelator is unlike any other audio tool youve ever seen, heard or used. Its magic. And its free.

When we developed the IT Conversations component-based show-assembly system (the first generation of GigaVox Audio Lite, see below), we realized all the components had to be of the same loudness or the results would sound awful. We limped along for many months using the RMS normalization functions in various applications, but the results werent satisfactory and it required tools and skillsets that some of our post-production audio engineers didnt have.

One of our best engineers, Bruce Sharpe, offered to write a standalone software RMS normalization utility, which weve been using as part of our production system GVUploader for nearly a year.

The GVUploaders normalizer acts similar to an intelligent RMS-based compressor/limiter combination, and it therefore affects primarily the short-term (transient) sounds and the long-term overall loudness of the file. It doesnt make the kind of adjustments that a skilled audio engineer can perform in software or at a mixing console, riding the levels up and down to compensate for medium-term variations.

There are some hardware devices such as various AGC (automatic-gain control) components that can do moderate leveling, but since they have to operate in real time (i.e., without look-ahead), they cant do much. And they arent cheap, let alone free.

Even a skilled human can only react to changes unless s/he is lucky enough to be present during a recording session and can use visual cues to anticipate coming variations. Software can do better by performing multiple passes over the audio, generating a loudness map of where the volume changes. (Its not actually that simple, but the metaphor can help.)