Free silverfast dc software for mac

SilverFast DCPro Studio 6.5r6 is designed to combine the unlimited functionality of SilverFastAi with the unique Virtual Light Table. The light table is a workbase that no photographer wants to miss, who likes to organize, manage and resume images in an easy way. Beside the ingenious magnifying functionality, the user profits also via Presets adjustable Graphical User Interface (GUI), the colour temperature and the Red-Eye-Correction.

SilverFast DCPro supports Raw Data Format of professional Digital Cameras e.g: Canon, Minolta, Nikon, Olympus, Kodak, Fuji and Sigma. The conversion of the raw data format takes place as a time-saving background process and the result is being stored automatically. Hence, the user can re-open already converted files without time loss.

Major Features:

1. SilverFast Launcher
2. 48 Bit Real Time Correction
3. SilverFast Jobmanager
4. Camera Raw Formats: CRW, DCR, NEF, MRW, RAF, ORF, X3F
5. Background Raw Data Conversion
6. VLT Virtual Light Table
7. EXIF and IPTC Information
8. Unique Magnifying functionality
9. Red-Eye Correction
10. Color Temperature Control
11. Exposure Control
12. IT8 Calibration & ICC Profiler inclusive
13. Online Quick Time Movies Training
14. Support for Sinarback 54 (CS1) and 43(CS 16).
15. Fixed problem with JPEG files when exif data is embedded.
16. Support for "Jenoptic Eyelike"- camera raw format added.Problem in Rawfile conversion with Olympus C5050 camera solved.
17. Automatic import of image media in VLT now supports multiple directories (image files in all subdirectories are imported).As shot" mode for Nikon D70, D100 and D2H enabled.
18. Drag&Drop of a folder from the navigator to an album now added.
19. AltiVec for white balance Fix for crash when applying white balance to Kodak raw images.
20. "As shot" mode for Nikon D70, D100 and D2H enabled.
21. Leica Digilux 2 Older firmware of Leica Digilux 2 generates different RAW files. Now SilverFast can read both.
22. Apply correct white balance to the FullScreen-Preview process, such that its result is identical to the thumbnails of the SilverFast preview.
23. Speed up whitebalance for the FullScreen-Preview with AltiVec support.
24. New individual RAW conversion profiles available:
    • Nikon D70, 8700,
    • Fuji F700, S5000, S7000
    • Minolta A2
    • Panasonic DMC-LC1
25. Enhanced Print Dialog: Added Popup to select the printer, a button to directly invoke the printer properties dialog and a status text showing the selected paper type and size and the print resolution.
26. When generating thumbnails from a converted RAW file, it will now get generated using the 16bit data (applying the white balance and gamma to the 16bit data and afterwards converting to 8bit instead of applying the corrections to the 8bit data), resulting in better quality.
27. Automatic Highlight & Shadow Point for Full Screen Previews and a Gamma Curve to lighten up Midtones. Makes VLT Fullscreen Previews look (even) better, increases Saturation, forces Blackpoint and decreases Gamma.
28. DC Pro: Improved RAW conversion from Kodak 14n files resulting in higher quality images due to improved Whitebalance implementation. When switching from VLT to Silverfast back and forth the dpi setttings could not be selected--> fixed.
29. Switching in Fullscreenpreview between Images in Album could lead to corrupted Preview. This dialog has been replaced with a blue progress bar and the preview works now.
30. Enhanced Printdialog: This feature is now available in all Silverfast Versions that contain the VLT.
31. Increased Fullscreen performance and color accuracy for RAW file images.
32. Default internal workspace profile is now AdobeRGB(1998) for all Silverfast versions.
33. Speed up whitebalance for the FullScreen-Preview with AltiVec support.
34. Main highlights are:
    • Real-Time Correction on large Preview
    • Auto-Adjust with Artificial Intelligence
    • Selective Colour Correction
    • Predictable Colour with CMYK Softproof
    • ICC Colour Management with IT8 Calibration
    • Unique Unsharp Masking and Focus Control
35. The unique workflow guidance with ScanPilot helps the novice user to follow the optimum workflow to get to a brilliant image right from the start.
    • SRD- Dust and Scratch Removal
    • SCC - Advanced Selective Colour Correction
    • ACR - Adpative Colour Restoration
    • SC2G - Selective Colour to Grey
    • GANE - Grain and Noise Elimination
    • MidPip4 - Advanced Colour Cast Removal
    • STUDIO upgrade available for efficient Noise reduction and Dynamic Range increase available
    • PrinTao for efficient printing with templates, picture cropping and rotationas well as sophisticated text in integration
    • QuickTime Movie Tutorials
36. Auto Frame Detection - automatically creates frames for all images in the prescan
37. NegaFix enhanced - automatically reduces colorcasts when scanning negatives
38. New NegaFix Profiles allow for more detailed corrections.
39. SilverFast Ai-HDR Gamma Optimization further synchronizes 48bit scanning between SilverFast Ai / Ai Studio and image editing with SilverFast HDR / HDR Studio.

SilverFast DC Pro Studio high-end Digital Camera Software addresses the specific needs of the digital photographer. The application combines the award-winning powerful functions of SilverFast with the unique Virtual Light Table. The Virtual Light Table provides the user with the capability to effectively view, organize and manage their digital image files.
The application also provides additional essential image correction tools, such as red-eye removal, color correction, white balance, and exposure adjustment. Advanced SilverFast features, including ACR, USM, GANE, Selective Color Correction, and JobManager, allow the amateur, the prosumer and professional photographer to achieve the desired results from their digital photographic images.
SilverFast DC Pro Studio supports the Raw Data Formats for many professional digital cameras from Canon, Minolta, Nikon, Olympus, Kodak, Fuji and Sigma. The conversion of the raw data takes place as a time-saving background process and the results are stored automatically. Hence, the user can re-open converted files without losing time.
Why SilverFast DC? Work like a Pro x Control the workflow x Use the full potential of the cameras raw format x Apply SilverFasts professional color correction x Enhance your image quality x Generate printable files x Make use of many cameras x Work on Mac or PC.
For all listed cameras SilverFast also fully supports Adobe DNG as an input format. If a camera is not listed as supported, not all camera information might be present in the DNG file. Still, such DNG files can of course be read and processed by SilverFast. If your camera or the relevant profile is not available it can be created through us. For this purpose LaserSoft Imaging needs your ready-to-use camera (including a lens, battery, etc.) for approx. 2 hours at its company headquarters in Kiel, Germany. Only a few test-shots under controlled light are needed for this procedure.

E&M Verify 0.9.1b is designed as a set of useful Medicare Medical Decision Making guidelines that allows for twelve different organ system- or specialty-based physical exam coding templates.
The situation is further complicated by different sets of rules in certain states (DC/DE/MD/TX/VA).

E&M Verify (EMV) considers all physical templates, history, and complexity by either set of rules and determines the optimal billing level. EMV from Rush Runware allows physicians to spot-check themselves and ensure that they are coding at the rate to which they are entitled. It can also be used for in-house auditing by the practice's or hospital's billing personnel and as a training tool for residents.

EMV is not intended in any way to substitute for a knowledge of coding guidelines. No liability is assumed by Rush Runware or by Adam J. Rush for the use of this software. Please note that this is a time-limited public beta: a more detailed end-user license agreement will be available soon.
A Windows version is also available.

Requirements:

• Tested on 10.4 Intel.
• Feedback on other hardware/software appreciated.
  

Keiths Image Stacker is an image processing program that is oriented primarily toward astrophotography. See my astrophotography webpage for information about my personal venture into that hobby.
What Keiths Image Stacker provides, more than anything else, is a workspace in which to align many similar images (say from a quicktime movie of Jupiter taken through a telescope with a webcam) and then to produce a stack of the images, which consists of a single image that comprises either the sum, or the average, or some value in between of the individually stacked images.
Stacking images is a well-established method for increasing the signal-to-noise ratio in a series of similar images. True "information" will shine through the stack, while random noise will drop out.
Enhancements:
- In the Unsharp Mask and Laplacian Sharpening Interfaces, if you attempted to redefine a the preview bounds but released the mouse button without dragging a rectangle, this could cause subsequent crashes later on. Should be fixed.
- v4.1 introduced a bug into the Open FITS file interface, in which each channel opened would erase any existing channels in the stack. This made it impossible to recover an RGB stack from three FITS files. The problem has been solved.
- The sliders in the Power Spectrum Sorting Interface were being memory leaked. Fixed.
- Fixed a bug that could cause a crash when the Clips Window is closed.
- Centroid alignment wasnt using the proper algorithm to determine a pixels overall value (using average instead of max of RGB components). Fixed.
- Preview bounds for a variety of operations were not properly displayed in the FrameStack window if the FrameStack window size did not perfectly match that actual FrameStacks size. Should be fixed.
- The Laplacian Sharpening Interface did not respect the pin-zero and pin-one boxes when creating the final result after hitting the OK button. This would cause the final result to suddenly change so as to not match the preview that was available immediately before hitting OK. This is fixed now.
- The Laplacian Sharpening Interface did not remember the value of the DC term properly after being closed. Fixed.
- Half bug, half missing feature in some cases, the Marking Clip Rect (cyan border around a clip) often was not drawn for many operations. Several occurances of this bug were fixed in v4.1. Several more are fixed here.
- Turns out I was calculating 2D power spectrums quite incorrectly. Sorting by power spectrum will hopefully improve now.
- A smattering of small changes and fixes to the precise dimensions of power-2 operations bounds rects and methods for getting pixels from GWorlds (inclusion of the right and bottom edges of pixels of a bounds rect primarily)
- In the Unsharp Masking Interface, if you moved the preview rect, the old preview rect was not restored to the original image. Fixed.
- If the RGB channels of the Frame Stack were independently aligned, the single channel views in the Histograms/Levels Interface were not drawn properly. Fixed (and eliminated now that those checkboxes are gone)
- If the FrameStack was rebuilt, the RGB alignments on the FrameStack were not reinitialized to (0, 0). Bug? Stupid feature? Either way, they are initialized now.
Changes:
- Added Debayering on the individual clips, for use with cameras that have been "RAW" modded to receive the Bayer pattern directly from the cameras CCD.
- Decreased the Event reaction time slightly. This vastly cuts the amount of CPU resources being hogged by the program without noticably affecting the programs performance.
- When sorting frames by power spectrum distribution, there is now a high frequency cutoff slider in addition to the old low frequency cutoff slider. The score of a frame will be the ratio of the sum of power between the cutoffs to the sum of total power. Initial experiments suggest that this can definitely improve the final sorted order of the frames.
- A few sorting methods have been completely removed because people continue to be confused as to how to properly sort the frames in such a way as to get satisfying results. At the same time, the sorting menu has been garnished with some textual notes that should prod people in the right direction under most circumstances.
- Significant changes to centroid alignment. Centroid alignment is considerably faster than difference alignment, especially when the misalignments are large. However, it may not produce the optimal alignment (I am unsure about this. Perhaps it is optimal after all, in which it is definitely superior to the difference method). Therefore, it is suggested to use centroid alignment (4-key) first and then clean up with a difference alignment using the 3-key. The 1-key and 2-key difference alignments, despite fixing large misalignments better than the 3-key method, are slower than the centroid method, which is why centroid followed by 3-key is recommended as the best overall approach.
- Added Cross-Correlation alignment. It is used in the same fashion as the existing four methods of alignment, three for difference and one for centroid. Simply hold down the 5 key and click on a clip or a selection of clips to use it. You must, however, use a power-of-two Operations Bound rect. Otherwise the program simply beeps. While this method usually works pretty well, it sometimes gets confused and produces a completely ridiculous alignment. Additionally, it is noticeably slower than the other alignment methods. Frankly, I think the centroid method is best for macro-alignments and the key-3 difference method is best for micro-alignments.
- Added a new operation on the FrameStack called Fourier Transform Editor. This allows you to literally paint out those parts of the Fourier transform of the stack that correspond to periodic interference patterns, such as the "herring bone" pattern that pervades many long exposure modified webcams. Aligning with a brightness threshold (which deals with the same problem in some cases) is still crucial, since it provides an optimal and sharp alignment, but if the final stack is not deep enough, it can still exhibit these kinds of interference patterns. This tool will virtually eliminate them. I would guess that it should also help in mitigating Bayer pattern effects, although I have not experimented with this yet.
- The centroid alignment wasnt using the brightness threshold before. Only the difference alignment was. Now centroid alignment uses it too, as does the new cross correlation alignment (although it may introduce unnatural edges into the image which could mess up the cross correlation alignment).
- Added a new checkbox to the Open Movie Interface that lets you specify that frames should be aligned on the fly as they are brought into the workspace. Not only does this allow you to align at the time of opening the file (which doesnt really save any time if you think about it), but it allows you to specify a bounds rect in the Open Movie Interface that only needs to fit around the object in the first frame, not the full drifted area of the object in all frames. This will save memory of course. Likewise this prevents the object from drifting outside the specified rect and being clipped by accident if you didnt make the original rect big enough in the first frame.
- Added four menu commands to the View menu for viewing the RGB channels of the FrameStack individually. Note that the 1, 2, and 3 command key menu equivalents have been reassigned in accordance with this change. These menu commands work even when the various operations dialogs are open. Note, however, that the channel appearances interact with the preview rects in some strange ways. I am still working on designing the best possible interface and interaction for all the possible combinations of settings.
- Removed the recently added channel checkboxes in the Histogram/Levels Interface. They are no longer necessary now that the much easier to use menu command replacements are available.
- Documentation updates.
- Resampling of the clips used to occur on the original opened-from-disk form of the clip. It now occurs on the modified form and makes the modified form the original form after resampling is completed. This means any operations become permanant and should be turned off prior to resampling if you dont want this, including dark frame subtraction, flat field division, normalization, median filtering, and alignment. In particular, this applies to deBayering as well, but deBayering must be done before resampling, as it will not work properly after resampling.
- Increased the maximum slider value for the Mask Intensity sliders in the Unsharp Masking and Laplacian Sharpening Interfaces.

ShakesPeer 0.9.11 is created to be a useful p2p, or peer to peer file sharing program. It is a client for the Direct Connect protocol. The main goal of ShakesPeer is to create a fully featured client, compatible with DC++, that runs on Mac OS X with a native Aqua GUI. The program is released as Open Source under the GPL License.

DonkeyController is a little application, which installs a menu in the upper-right corner of your monitor, allowing you to control mlDonkey
This is a beta release. If you dont know what that means, please dont downlod this software. Critics/suggestions are welcome.
NOTE: The development cycle of DC has slowed down considerably because of the lack of time. I apologise for this.
Enhancements:
- Fixed: parsing of download list with newer versions of mlnet. You now must have mlnet version MLdk2.7.1.CVS.19.12.05 or newer. Get it from http://downloads.macdk.net/MLdonkey-2-1.7.1.cvs.19-12-05.dmg;
- Added Mldonkey version check;
- Improved error handling when mlnet is not found or could not be started. DonkeyController can download the right version of mlnet for you, if requested;
- DonkeyController is now compiled as universal binary, thus requires Mac OS X 10.4 or later.