Free other musical instruments software for mac

Finale NotePad 2004 is your invitation to the world of music notation software!

Find out how fun and easy it is to transform your musical ideas into beautifully printed music by downloading NotePad 2004 today!

eTktab is an ASCII tablature editor for 4/5/6 stringed instruments. Features include: 30 fretboard positions available by single keypress, lyrics, expression marks, solo/chord tab entry modes, and custom guitar tunings and keybindings.

Tone Generator is an audio application that plays specific musical tones on your Mac.
Enhancements:
- Added Menu Item -Noise Info
- Some info on different noise types:White-Pink-Brown-Blue.

AUStk is a demo of integration of Stk instruments into an AudioUnit

It shows how to use Stk framework to build AudioUnit Synth.

This AudioUnit allow you to choose any of the 28 instruments of the Stk demo and play them.

WoStation is a game for children, a suite of applications to play music, write, doodle or just amuse...

What can I find inside it?

• Breakfast warriors - Fight the cereals with your cookie in the milkmug!
• Tigerdraw - Draw, color or place stickers and print your doodle!
• Blue Cacao - Spill chocolate on beat!
• Memory - Illustrated matching pairs...
• JellyCube - Cube-shaped magic musical instrument...

NINJAM is a program to allow people to make real music together via the Internet.
Every participant can hear every other participant. Each user can also tweak their personal mix to his or her liking. NINJAM is cross-platform, with clients available for Mac OS X and Windows.
NINJAM uses compressed audio which allows it to work with any instrument or combination of instruments. You can sing, play a real piano, play a real saxophone, play a real guitar with whatever effects and guitar amplifier you want, anything. If your computer can record it, then you can jam with it (as opposed to MIDI-only systems that automatically preclude any kind of natural audio collaboration1).
Since the inherent latency of the Internet prevents true realtime synchronization of the jam2, and playing with latency is weird (and often uncomfortable), NINJAM provides a solution by making latency (and the weirdness) much longer.
Latency in NINJAM is measured in measures, and thats what makes it interesting.
The NINJAM client records and streams synchronized intervals of music between participants. Just as the interval finishes recording, it begins playing on everyone elses client. So when you play through an interval, youre playing along with the previous interval of everybody else, and theyre playing along with your previous interval. If this sounds pretty bizarre, it sort of is, until you get used to it, then it becomes pretty natural. In many ways, it can be more forgiving than a normal jam, because mistakes propagate differently.
Part tool, part toy, NINJAM is designed with an emphasis on musical experimentation and expression.
NINJAM uses OGG Vorbis audio compression to compress audio, then streams it to a NINJAM server, which can then stream it to the other people in your jam. This architecture requires a server with adequate bandwidth, but has no firewall or NAT issues. OGG Vorbis is utilized for its great low bitrate characteristics and performance. Each user receives a copy of other users audio streams, allowing for each user to adjust the mix to their liking, as well as remix later. This uses more bandwidth than having a server encode a single stream, but has numerous benefits (including lower server CPU use and the client having the full multichannel data for later use).
NINJAM can also save all of the original uncompressed source material, for doing full quality remixes after the jam.
For some samples of how NINJAM can sound, see samples directory.
Enhancements:
- Hidden password in connection dialog
- Password saving option
- Small fixes.

blue is a java program for use with Csound. Its interface is much like a digital multitrack, but differs in that there timelines within timelines (polyObjects). This allows for a compositional organization in time that seems to me to be very intuitive, informative, and flexible.
Main features:
- SoundObjects are the building blocks within blues score timeline. soundObjects can be lists of notes, algorithmic generators, python script code, csound instrument definitions, and whatever plugins that are developed for blue. these soundObjects may be text based, but they can be completely GUI based as well.
- Timeline allows for visual organization of soundObjects
- Polyobject are objects which hold other soundObjects, and have timelines in themselves. working within them on their timelines and outside of them on the parent timeline help organize and understand the concepts of objective time and relative time between different objects
- The soundOject library allow for instantiating multiple copies of a soundobject, which allows for editting the original object and updating all copies
- noteProcessors allow for modifying the soundObjects properties, i.e. adding 2 to all p4 values, multiplying all p5 values by 6, etc.
- The orchestra manager organizes csound instruments and functions as an instrument librarian. you can selectively choose what instruments to output to the generated csound .csd file, so you can feel free to keep all of your instruments in a large library and output only the ones you need, cutting down on load time for csound.
- Syntax hilighting of csound language
- Use of scripting for user extensibility
- SoundObject freezing - free up CPU cycles by pre-rendering objects
- Microtonal PianoRoll allows editing notes using any Scala scale
- blueLive - work with soundObjects in realtime to experiment with musical ideas or performance.