Infiltrator 1.02

Infiltrator is a creative sound-shaping tool for use in the studio and on stage, essentially based around two banks of powerful filters. It was principally designed as a powerful vocoder, but has evolved into something much more and is capable of working as a wide range of filtering FX and tools.

The principal purpose of Infiltrator is for vocoding using channel filter banks, as in the classical analogue vocoders. The Vocoder Mode allows the emulation of nearly every kind of classic vocoder architecture, as well as the creation of brand new vocoder sounds.
In addition to the traditional Synthesis and Analysis filter banks, there is a silence/voiced/unvoiced detector, a noise generator and a built-in synthesizer with twin oscillators for creating carrier signals and waveforms internally. There is also a delay FX available on the inputs and outputs for all sorts of echo-based treatments.

Main features:
- Highly detailed control with physical units - e.g. 0.00001 seconds
- Two 24 channel filterbanks with up to 2/4/6/8 pole, with 11 filter types, including Peaking /shelving EQs, bandpass, notch, LP, HP and more
- Re-configurable architecture to create filter channels, EQs, multiband compressors, vocoders
- Multiple compressors/expanders/gates with lookahead
- Sophisticated silence/voiced/unvoiced detector
- Built-in MIDI monphonic synthesiser with twin oscillators and noise generator
- Ring modulation and FM synthesis features
- 8 sets of 3 assignable real time controllers for instant control
- Realtime control of all filterbanks for unheard-of Vocoding FX
- 3 LFOs for controlling the realtime controls to create fantastic automatic manipulation settings
- Quick/full edit modes - different editing levels for speed and simplicity or deep control
- Extensive metering and monitoring of internal signals
- Internal storage of 99 user programs, with over 55 factory setups.
- Dynamic allocation of DSP resources, allowing different configurations to utilize the hardware fully
- Delay FX on the inputs, outputs, or internally in multiband mode for highly unusual frequency dependent delay FX
- Very extensive 150-page manual for getting inside the highly detailed soundskin
- Various minor user interface and internal improvements
- Delay line maximum times extended to 5 seconds
- Added dedicated delay line time parameter smooting: page "Delays:Setup, smoothig: off,1..15"
- Added Real Time Controller (RTC) target parameters, amongst them are Multiband filter x-over lo/hi frequencies
- Improved Multiband filters
- Added Linkwitz Reilly filters in Multiband mode: page "Setup:Common, MB slope: 12db,24dB" 12dB = Butterworth, 24dB = Linkwitz Reilly
- Added noise input in Multiband mode: page "Input:Left/Right, noise: NdB"